Today sees the release of Hot Zone: An MCU Thriller, the eagerly awaited sequel
to Sarah Stone’s first adventure Soft Target.
Over the next four nights I will be posting all about Hot
Zone to give you a flavour of what the book is about, and what the man himself
is about.
Starting tonight, and concluding tomorrow night, we have
an extremely candid interview with Iain. This is all about his life in general,
his writing so far, Hot Zone itself and the dreaded Ten Confessions!!
On night three I am absolutely delighted to say we have
an EXCLUSIVE!! You will be able to read the entire first chapter of Hot Zone on
the blog.
Night four will see my review of the book and believe me,
you don’t want to miss it (the book that is).
So go get yourself a drink and some nibbles and sit down
to enjoy part one of the interview!!
IRW - I am 31 years old, married, with an 8-month old
son. Jack are Sally are my life and a massive part of why I work so hard. I
want Jack to grow up loved and supported and for Sally to be able to do
anything she wants.
I grew up very poor and flunked out of university due to
having no money and problems with booze. Before that I had flunked out of the
Army because it broke me and I quit. I was very much a quitter and struggled a
great deal with depression. I was on a path to a pretty pointless existence.
When I met Sally, it wasn’t easy, but she gradually
helped me get a handle on myself and find the happiness I’d been seeking all my
life. I saw a doctor about my anxiety and that helped a great deal too. Slowly,
I managed to completely change my life.
Now, Sally and I have been together for 8 years and I
have achieved so much in that time. I’m a good husband and a good dad, and I
love my life dearly. Once, that would have seemed impossible, but finding my
soulmate, and finding out who I was, changed that. When I decided to give my
secret ambition to be a writer a shot, I found a thousand more soulmates. The
wonderful life my little family and I have is because of the kindness and
constant support of my readers and fans. I owe them so much.
COAF
- Why writing and what influenced you to take this direction?
IRW - I think it has a lot to do with my personality. I
have always been sensitive and emotional, and in real life these traits are a
burden. But in the fictional world, my thin-skin and emotional vulnerability
are assets. I empathise with my characters, and every word I write is part of
my soul spilled out. Although medication helps, there is no better panacea for
my anxiety than writing. A writer needs to write or they begin to bulge with
unbridled emotion (I think that’s why many of us drink, to take the edge off
the scathing turmoil in our minds). For an anxious mind, writing is like
draining a cyst – if we don’t do it the pressure builds up and we explode.
COAF - You have written everything from end of the world scenarios to thrillers to animals taking over the world and even ventured into the erotica genre as Kharma Leah. Where does your inspiration and your ideas come from?
COAF - You have written everything from end of the world scenarios to thrillers to animals taking over the world and even ventured into the erotica genre as Kharma Leah. Where does your inspiration and your ideas come from?
IRW - I live and breathe TV, films, and books. I love
escaping into other worlds. Sally and I love boxsets and movies. Absorbing all
of these stories invariably fills my head with ideas of my own. My stories come
from a lifetime of being a fantasist. I create and vanquish monsters in my
books to give me power in my real life. My stories are really just about people
overcoming obstacles. That’s no different to the real world.
COAF
- How do you keep track of your ideas? Do you carry a notebook with you
everywhere or write stuff on the back of your hand?
IRW - I used to jot my ideas down, but as I only work on
1 project at a time, I generally manage to keep hold of my ideas. No notebook.
COAF - Take us through your process for a story. How do you start it and follow through to the final product?
IRW - My current process is to break a story into 27 chapters
(3 Acts with 3 Sections containing 3 chapters each). I write a brief overview
for each of these chapters so that I have a loose framework for the entire
story before I begin.
Then I write a 1st draft without stopping to edit. The best way to get a 1st draft out is to just go for it. Then, when I finish, I run through a 2nd time where I make large changes and pretty much rewrite most of it.
Then I do a polish and send to proof readers or an editor if I am using one. As I have improved as a writer, I have gone back to my earlier work and re-edited all over again.
Then I write a 1st draft without stopping to edit. The best way to get a 1st draft out is to just go for it. Then, when I finish, I run through a 2nd time where I make large changes and pretty much rewrite most of it.
Then I do a polish and send to proof readers or an editor if I am using one. As I have improved as a writer, I have gone back to my earlier work and re-edited all over again.
COAF
- What’s the most difficult part of writing?
IRW - Self-doubt. Even now, when I release a book, I
think that it’s no good. I feel like I should edit it another hundred times,
but that’s just not viable. I want to write masterpieces but I am nowhere near.
Every time someone tells me they love my work it is a shock. I would love to be
able to hold my head high in a room full of ‘big name’ authors, but right now I
am not there, nowhere near in fact.
COAF
- Every one of your readers seem to have their own favourite book from your
collection. Which one do you have a special affinity with and why and who would
your favourite character be?
IRW - The Final Winter allowed me to stop selling phones
for a living and become a writer, so that book is very special to me. The book
of which I am most proud is The Picture Frame. I think it is a good measure of
how much I have grown and improved as a writer. I want it to stand as an
example of what my readers can expect going forward. It’s also my best cover
(SRB Productions) and the editing was first class.
COAF
- Who are some of your favourite authors or authors you would consider to be
influential in your writing?
IRW - I have too many to name and they are forever
changing, but I was inspired most by Stephen King, Richard Laymon, and Brian
Keene. My current reading has moved away from horror. I adored the Song of Fire
and Ice series and read them all. I am currently reading the Masters of Rome
series by Colleen McCullough and am about 3k pages into them with another 8k or
so to go (they are huge books). I love
doorstop novels like Under the Dome or The Stand, and would like to one day
write them myself. I need to be financially secure before I can commit to such
lengthy projects, but that is the plan.
COAF
- Holes in the Ground is your collaboration with J A Konrath. How did that come
about?
IRW - I was an avid follower of Joe’s blog and had been a
big fan of his books, too. I loved his novel, Origin, most of all. I had been
having an idea about a facility under the ground housing all of the world’s
legendary monsters (this was before Cabin in the Woods was released FYI). I
pitched the idea in a random email to Joe and he loved it. He was also, fortunately,
aware of who I was as he had seen many of my books hovering around the charts
next to his. He was very easy to work with and I loved writing the book with
him.
COAF
- You’re very vocal through your blog about Amazon and the way they treat
independent authors who use them. Do you think they listen to you and your
fellow authors and take on your concerns? How do you think the Amazon Unlimited
situation will play out?
IRW - Amazon changed my life and I love them, but I feel
it was as a consequence of a business plan not because they have a particular
love for authors. The Kindle Unlimited scheme has reduced my income by about
half and hurt a great deal of authors. It has taken all of the power to control
pricing and royalties from the author and given it to Amazon. I still support
Amazon and I still love them dearly, but I just hope that they take care of the
group of people who now rely on them for their livelihoods. The world is a
greedy, corporate place, and I fear that Amazon’s profits are the only thing
that truly matter to them. That places authors in a perilous position because
if Amazon’s agenda ever conflicts with theirs, they will be the ones to suffer.
The best scenario is that iTunes, Nook, etc. get their act together and create
a healthy industry full of competition so that authors can go wherever they are
treated best. Amazon deserves their massive share of the book market but it is
dangerous for any company to have such influence. A company is amoral.
COAF
- You have become more prolific in releasing titles over this past twelve
months. Is this something you can sustain? Do you ever worry about keeping a
consistent level?
IRW - I would much rather be releasing three books a year
and making sure they are as good as I can possibly make them. Kindle Unlimited
has changed the playing field to value quantity over quality. If I am to
survive and keep doing this then I have to be more prolific. Hopefully, I am
keeping to a pace where I am still releasing books that my fans enjoy. It has
made my job less enjoyable and I hope one day that I can relax a little. So,
no, I’m not sure I can be so prolific forever, but right now I have to be. Lots
of people work hard, so I can’t complain. I still have it easier than most
people.
COAF
- How do you think the outlook for the horror book world looks?
IRW - I would like to see it grow. Horror movies have
become legitimate to the mass market but horror books are still niche. I would
like to follow in the footsteps of Stephen King etc. by making readers see that
Horror isn’t all about gratuitous gore, rape, and torture. It is about human
perseverance, man over nature, and cracking jokes at the worst times. I don’t
write horror to cheaply offend or disgust people, I write horror to empower
people. It’s about hope. If more people realised what horror books were really about,
then I think the genre will grow. You only have to look at books like Twilight,
Maze Runner, Divergent, Hunger Games etc., to see that people love to escape
into fantasy worlds, but they don’t realise that horror is all about that, too;
not just Young Adult Fantasy books and Sci Fi.
To be continued………
To be continued………
Come back tomorrow night when Iain talks about his new
book Hot Zone and answers The Ten Confessions!!
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