Confessions of my Past, Present and Future
by
J.R. Park
The Past
As a kid I read a lot, and throughout my life I was
always obsessed with the dark, forbidden fruits that lurked in the horror
section of the local library and book shops. The joy about books is there is no
classification, so unlike the video shop, where I could only look at the covers
and imagine the lurid delights within, I was able to fully explore the darkness
in the written word.
By the time I was thirteen/fourteen, I was already
reading Clive Barker, and began exploring other authors that frequented the
shelves of the horror section. Shaun Hutson was a writer I’d seen mentioned a
few times and so opening to the first page of Renegades, I was blown away by the sample paragraph at the front of
the book. In graphic, gory detail it described someone being shot in the head.
The detail was disgusting with lines like ‘confetti of brain and pulverised
bone’. I needed to know more.
As I read the book, the early promise did not wane, and I
was assaulted by an explosion of violence and sex. This was pushing my
boundaries and I loved it. Put simply, the book rocked. It felt like the
literary equivalent of a heavy metal song.
When I sat down to write my first book, Terror Byte, my memories of Renegades and its lasting impressions
was the first thing I drew upon when describing the gore and sex scenes. I
wanted that tone. That feeling like the book was slapping you in the face. I
was so pleased when a few reviewers picked up on the Hutson-esque vibe. A great
testament to the power of his writing, that it left such a mark on me for all
those years.
The other book I’d like to talk about in my past, is of a
very different nature and one that I encountered not too long ago (in 2012),
but its impact was what I can describe as a life changer. That book is the
collection The Pleasures of the Damned
by Charles Bukowski. I was at a time in my life when I was feeling a little
washed up. I was struggling with my job, my dreams had faded and I had pushed
most of my friends away through erratic behaviour. I was drifting and heading nowhere.
I’d starting seeing a girl and one day when I arrived to meet her for a coffee
I noticed she’d been reading a Bukowski book. I’d heard the name before. Long
forgotten (although personal favourite) 90s band Animals That Swim were big Bukowski fans, even turning his poem, Sway With Me into a song. The next day I
read about him on the internet. I was fascinated to read how he hadn’t been a
success until much later in life. In today’s youth obsessed culture you are led
to believe if you haven’t done anything by the time you’re twenty-five, you
never will. But Bukowski showed this wasn’t the case. Did I still want to
write? Well it wasn’t over. The game wasn’t up.
The next idle Saturday I walked into Waterstones and
picked up The Pleasures of the Damned.
I randomly opened a page and the first poem I read was Scarlet. It talked of his drinking (dump the sacks of empty
bottles), his infatuation with a woman balanced with the crushing weight of
relationships (I’m glad when they arrive and I’m glad when they leave…and since
it’s always either starting or finishing I’m glad most of the time) and the
banality of everyday life (and in my kitchen the faucet keeps dripping needs a
washer. I’ll take care of it later). I was hooked and bought the book.
His confessional style of saying how you felt was earnest
and captivating. It refreshed my idea of what poetry was, and above all it
ignited my desire to write once more, after spending years only thinking about
it. I wrote my own poems, spending whole evenings crafting and completing them.
Each one giving me confidence and at the same time allowing me to work through
my own personal demons. Some of these you can view over at my website if you a
few moments to kill.
There have been three moments in my life where art has
caught me in such a way that I call them game changers. They are Nirvana’s Nevermind, Kate Rusby’s Little Lights and Charles Bukowski’s The Pleasures of the Damned. I wonder if
there will be a fourth?
The Present
This is going to be a tricky one to decide upon. The
state of the horror scene, whilst very much underground, is full of such great
talent at the moment. Books I’ve read that have really been quite something
include Monster by Matt Shaw and
Michael Bray, Reinheit by Thomas S
Flowers and Larry 2 by Adam Millard
(I could talk about Sinister Horror Company releases but they are all ace,
right?).
Picking on two authors that have really made an impact of
late would be Nathan Robinson and Benedict J Jones.
I first heard of Nathan Robinson with his book Ketchup On Everything. The first thing
that struck about the book is that I loved the prose. His prose reminds me a
little of mine, or at least I share some affinity with his style, so I’m often
reading his stuff thinking ‘Yep, great line there. Wish I’d written that.’ The
second thing that got me about Ketchup On
Everything is the bravery in the tale. This book is heart breaking and
emotional. It’s set around a very difficult subject that could have fallen flat
if not handled delicately and well. Nathan really does an excellent job at
dealing with the themes (which I won’t ruin here). This is a great book, highly
recommended.
Following that I read another of his books, Midway. This tale is about an Atlantic
swimmer that suddenly loses their boat and crew, and is left in the middle of
the Atlantic. This is a clever story centred around one person on their own in
the middle of the sea, and the horrifying thoughts of what is beneath the
waves. To keep the tension going throughout really shows his skills as a writer
and story teller.
Nathan has a number of other books out and the next
convention I see him at, I’ll be buying the lot. He very quickly turned me into
a fan.
Benedict J Jones is another author whose work makes me
want to devour his full back catalogue. I started with Slaughter Beach, and I loved it. But before you even turn the page
you need to spend a few moments looking at that amazing cover. It’s a thing of
beauty.
The story itself is right up my street. It reads like a
video nasty straight from the golden age of exploitation cinema. Within the
first few chapters you have drug taking and sex, and it’s not long before the
violence kicks in too. What more can you ask from your pulp fix?
The other title of his I have read is Pennies For Charon. This involves his
signature character Charlie Bars, and the story is a noir-horror thriller set
in LAAAANNNNNDDDAAAANNNNN (outside of the UK that should read: London). This is
an exciting crime thriller with a blood thirsty edge that builds the tension as
it goes. I haven’t met a single person that hasn’t raved about this book when
they’ve finished it. If that isn’t endorsement enough then what is?
The Future
What would I be reading or writing in 2045? Interesting
question.
I think I will still be writing horror, but I have an
inner conflict when I write. I have two opposing sides that fight it out
amongst the pages. There’s the pulpy entertainment side and then there’s the
artistic (some might call it pretentious) side. The more I write, the more I
experiment and the more I let the artistic side come out to play. Upon Waking was a good example of those
two coming together head on, I think they both had room to breathe in that one.
The book I’m currently writing started off with a pulp premise, the arty part
informed the narrative, and as I’m writing out the plot details I’m getting
very excited to let all that pulp excess back in to the story.
When I write I like to talk to friends about my ideas,
and I gauge their reactions. When they smile and have that little sparkle in
their eye, lost in the daydream of the images playing out in their heads, then
I know I’m onto a winner. But coming back to the point I will probably be
trying to push my own limits of the genre I work in, but still fill my pages
with monsters and deranged killers.
Hopefully by 2045 I will have written a book that truly
scares the crap out of people and another horror tale that makes you cry. I’ve
had this heart breaking tale in my head for ages now so I’d like to see if I
can do it justice. Nathan Robinson set the bar high with Ketchup On Everything. If I can come close to that I’ll be happy.
I’d also like to release a poetry book one day. I don’t
expect it to sell in any vast quantities, if at all, but I’d like one for my
own vanity shelf.
I also have an itch to scratch in that I’d love to write
a James Bond style action novel. I might do it and post on the net for free as
a bit of fan fiction. It might help to get it out of my system.
What would I be reading in 2045? I would like to think I
will have finally tackled and emerged victorious over James Joyce’s Ulysses and Finnegan’s Wake. I might also have read Lovecraft’s stories without
falling asleep (the concepts are cool, but the prose is tectonically paced). And
I’ll be re-reading Bukowski. I’ll always be reading Bukowski.
You can read my review of Upon Waking, here.
You can buy Upon Waking here:
You can buy any of Justin’s other books here.
If you would like to help support Confessions of a
Reviewer, then please consider using the links below to buy any of the
books mentioned in this feature. This not only supports me but also lets
me know how many people actually like to buy books after reading my
reviews.
Thanks.
J. R. Park is a writer of Horror Fiction based in Bristol, UK.
Regularly citing Guy N Smith as an influence and inspiration, it was an interview with the said author in Darkside Magazine that was the catalyst for Park to begin his career in literature.
He writes his books as if they were video nasties beamed straight from the golden era of exploitation cinema.
And for more about Justin, visit his site or find him on social media:
Website– Facebook – Twitter – Goodreads – Amazon Page
Website– Facebook – Twitter – Goodreads – Amazon Page
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